Songwriting Advice
How to Write Crustgrind Songs
You want music that sounds like civilization finally admitted defeat and the amps agreed to laugh about it. Crustgrind is that glorious mess. It is raw crust punk attitude smashed into the hyper speed violence of grindcore. The result is filthy, fast, heavy and oddly addictive. This guide gives you everything you need to craft crustgrind songs that land like a surprise mosh in a library.
Quick Links to Useful Sections
- What Is Crustgrind
- Core Elements of a Crustgrind Song
- Song Length and Structure
- Short attack format
- Compact narrative format
- Extended annihilation format
- Tempo And BPM Explained
- Crafting Riffs That Survive High Volume
- Riff building blocks
- Riff recipes you can steal
- Drums And Blast Beats
- Blast beat basics
- D beat explained
- Groove and contrast
- Vocals And Delivery
- Types of extreme vocals
- Vocal performance tips
- Lyrics And Themes
- Write like you are telling someone they stole your cereal
- Rhyme and prosody
- Tuning, Gear And Tone
- Guitar tone blueprint
- Bass setup
- Pedals and effects
- Recording And Production Tips
- Drums
- Guitars
- Vocals
- Mixing essentials
- Arrangement Tricks That Keep Listeners Awake
- Foreshadowing riff
- Breakdown placement
- Silence as weapon
- Writing Workflow You Can Steal
- Editing And Finishing
- Live Performance Tips
- Common Mistakes And How To Fix Them
- Exercises To Improve Your Crustgrind Writing
- Ten minute riff drill
- Speed contrast drill
- Vocal economy drill
- Examples And Before After Lines
- How To Release Crustgrind Music In The Modern World
- Brand Voice Tips For Lyric Writing
- Frequently Asked Questions
Everything below speaks to busy musicians who want results without pretending they never have bills. Expect practical workflows, real life studio hacks, riff blueprints, drum patterns you can teach your drummer in plain English and vocal tricks that do not require months of throat surgery. We explain acronyms and weird metal jargon so your non metal friend can nod along and pretend they know what blast beats are.
What Is Crustgrind
Crustgrind is a fusion of crust punk and grindcore. Crust punk brings gnarly distorted chords, bleak lyrics and a DIY attitude. Grindcore brings very fast tempos, short durations and extreme vocals. Put them together and you get songs that are often short, ugly in the best way and full of ruthless energy.
Think of crustgrind as three ingredients:
- Attitude that is nihilistic or political and usually delivered without subtlety.
- Riffing that mixes abrasive power chord grooves with chromatic and dissonant leads.
- Rhythm that uses blast beats, D beat and sudden tempo shifts to create chaos with intention.
Core Elements of a Crustgrind Song
Every great crustgrind song has a short list of things done well. Nail these and you can make a song that punches even if your budget is your life savings in ramen.
- Riff identity that can be whacked at high volume and still be memorable.
- Relentless drums including blast beats and stomping mid tempo grooves.
- Vocals that embody urgency either shouted, guttural or shrieked.
- Short form discipline because sometimes less noise means more damage.
- Texture contrast where a mid tempo section or a brief clean guitar breathes and then the chaos returns harder.
Song Length and Structure
Crustgrind songs can be ridiculously short. Some tracks are under thirty seconds. Others flirt with three minutes for an epic level meltdown. Decide on a target before you write.
Short attack format
Length range: 20 to 60 seconds. Use a single riff or two. Build tension with a blast beat press and drop into a slow stomper for one bar. End before the listener has time to wonder why their lungs hurt. This format is great for EPs and furious statements.
Compact narrative format
Length range: 60 to 120 seconds. Combine a fast opening, a mid tempo breakdown and a brief tremolo picked bridge. This format lets you include a lyrical thought or a tiny story while keeping the punch.
Extended annihilation format
Length range: two to three minutes. Use more variation. Add a cleaner intro, a spoken word segment, or a slow doom like passage that gives the chorus more weight. This format suits bands who want dynamics without losing brutality.
Tempo And BPM Explained
BPM means beats per minute. It tells you how fast the song runs. Grindcore often sits in the 220 to 350 BPM zone for blast oriented sections. Crust punk tends to be slower from 120 to 200 BPM. You will use both. A smart tempo choice gives each section the emotion it needs.
Real life scenario: You are practicing in a garage at midnight and your drummer looks at you like you asked them to sprint a marathon. Start the blast sections around 220 BPM and see how it feels. If your drummer is a human metronome you can push to 260 BPM and higher. If you sound like a collapsed drum kit on the demo, drop the BPM and tighten the arrangement instead.
Crafting Riffs That Survive High Volume
Crustgrind riffs need to cut through fuzz and cymbal wash. Use strong rhythm, clear intervals and repetition. A tiny hook repeated aggressively will become immortal in a pit.
Riff building blocks
- Power chord Play root and fifth. Mute unwanted notes with your palm. This keeps low end focused under heavy distortion.
- Open string drones Use low open strings to create a droning foundation. This works great under quick chord hits.
- Chromatic steps Slide a single note up or down one fret. Chromatic movement adds aggression and tension.
- Dissonant intervals Try adding a flatted fifth or a minor second as a passing tone. Use sparingly to avoid ear fatigue.
- Tremolo picking Rapid alternate pick a single note to create a buzz saw texture when the band strips back for a dangerous moment.
Riff recipes you can steal
Recipe one: Palm mute power chord chug for four bars. Add an off beat snare accent every second bar. End with a chromatic run into a held dissonant chord.
Recipe two: Open low string drone for one bar. Two bar tremolo picked minor third run. Hit a heavy crash and move into a D beat driven groove.
Recipe three: Single note gallop on the low string while rhythm guitar cuts short power chords on beats two and four. This creates propulsion and room for vocals to bark like a rabid dog.
Drums And Blast Beats
Drum work is the engine in crustgrind. The template includes blast beats, D beat, and slam grooves. You do not need fancy fills. You need precision and choices that serve the riff.
Blast beat basics
A blast beat is a rapid pattern where the snare and bass drum and cymbal hit in tight unison or staggered timing. There are variations such as traditional blast, bomb blast and split blast. The common ground is speed and pressure. In practice you or the drummer will want a metronome and patience.
Tip: If you cannot keep a full blast for eight bars, write shorter blast phrases. Ten seconds of full speed can feel like a lifetime. Use bursts for impact.
D beat explained
D beat comes from punk drumming and is often used by bands in the crust family. It is a kick snare pattern that creates a stomping march. Use D beat for groove sections where you want the crowd to move rather than collapse.
Groove and contrast
Alternate blast presses with stomping mid tempo parts. The contrast will make both sections feel heavier. Example: two measures blast, one measure slow stomp, then a breakdown that borrows a doom chord before returning to blast again. The listener gets a roller coaster and the song breathes.
Vocals And Delivery
Vocals in crustgrind range from shouted punk voice to full death metal gutturals. Pick a style that fits your throat and your message. You do not need to be the next guttural god. Focus on emotion and timing.
Types of extreme vocals
- Barked shout Vocal style that is abrasive and direct. Great for punk informed lines and slogans. Think of yelling into the mic with controlled breath.
- Screamed shriek Higher pitched scream that cuts over guitars. Use for peaks and short lines to avoid fatigue.
- Guttural growl Low and throaty. Use for heavy choruses or to deliver a line that needs weight.
- Spoken word A sneer delivered at room volume can be devastating. Use it for political lines or dark humor.
Real life scenario: You are on the mic in a practice room and the first two takes leave your voice raw. Take a break and come back with few short lines. Record five takes and comp the best breaths. Extreme vocals are performance art and editing helps you sound like you slept last night.
Vocal performance tips
- Hydrate before practice and show up like you care about your vocal cords.
- Warm up with short sustain vowels and gentle voiced sound. Do not scream cold.
- Use short phrases. Save long screams for the final chorus or final minute.
- Record multiple takes and pick the most urgent one. Sometimes the roughest take is the most honest.
Lyrics And Themes
Crust and grind roots mean lyrics often go political, apocalyptic, angry and sometimes hilarious in their bleakness. You do not need to be a poet. You need clear lines that land hard.
Write like you are telling someone they stole your cereal
Use direct language. Short lines work. Specific images beat abstract slogans nine times out of ten. If you want to be political, use one sharp target per song. If you want to be bleak, add a concrete object to show the feeling. If you want to be funny, exaggerate a small everyday disaster until it collapses into satire.
Example lyric skeleton
- Line one: opening image or gag. Example: The street vendor sells silence by the gram.
- Line two: political or emotional punch. Example: We stockpile excuses like expired canned beans.
- Line three: consequence or twist. Example: The council burns our names and mails us receipts.
Rhyme and prosody
Keep prosody natural. Prosody means how words stress within the music. Speak the lines out loud to find the natural beats. Make sure strong words land on strong drum hits or long notes. Rhyme is optional. Internal rhyme and repetition can be more effective than tidy couplet endings.
Tuning, Gear And Tone
Guitar and bass tuning matter. Crustgrind often lives in lower tunings to get that sludgy swamp weight. Typical choices include drop C, drop B and B standard. If you want a tighter sound with less flub, try C standard with a tighter string gauge. Heavier strings keep low notes tight under extreme playing.
Guitar tone blueprint
- Amp or amp sim Some players use real tube amps with overloaded preamps. Others use amp simulation software in a digital audio workstation. Both work. If you use sims, choose a cabinet impulse response that is earthy rather than sterile.
- Distortion stacking Use a high gain amp tone with a second lighter distortion on top to add bite. This lets you keep a heavy low end while giving the top end presence.
- EQ Cut frequencies around 400 to 800 Hz if your guitar sounds muddy. Boost around 2.5 to 4 kHz for pick attack. Add low shelf around 80 to 120 Hz carefully so the bass does not compete with the kick drum.
Bass setup
Bass should be tight and present. Use pick or fingers depending on the desired attack. Consider an overdriven DI for clarity while using a blended amp signal for warmth. Compress lightly to keep notes even under fast picking.
Pedals and effects
Keep it simple. Fuzz, overdrive and a bit crusher for noise sections are useful. Reverb should be used as a color wash not as a space maker that kills clarity. Delay can be cool on a lead to create a nightmarish echo but use sparingly.
Recording And Production Tips
Crustgrind thrives with both lo fi and polished approaches. The key is capturing energy. Here are practical tips.
Drums
- Record with multiple microphones. Close mics for attack. Overheads for cymbal and ambience. Room mic for slam.
- Consider drum sample augmentation if shots are inconsistent. This means layering a sample under the recorded snare to get punch. Do not replace everything unless you like sterile drums.
- Maintain dynamics. Compress to taste but avoid squashing all the life out of the drum performance.
Guitars
- Double track rhythm guitars on left and right to create weight. Slight timing or tone differences are fine. They make the wall of sound feel human.
- Record a single down tuned guitar for a low drone and double a brighter lower gain track for attack. Blend both in the mix.
- Reamp when possible. Tracking a clean DI and reamping later lets you experiment without rehiring the guitarist.
Vocals
- Record multiple takes. Pick or comp the most urgent moments.
- Use a small amount of saturation or distortion to color extreme vocals. Do not overuse because the words will lose intelligibility.
- Add a short slap delay or subtle doubling to make choruses feel bigger.
Mixing essentials
- Make space in the low mids for the kick and low guitar. EQ surgical cuts beat random boosts.
- Use parallel compression on drums for slam while keeping transients alive on the close mics.
- Automate volume rides for vocals. When the singer gets raw and quiet, bring the level up a touch. When they bark louder, back off. Ride automation is the secret sauce of real sounding extreme vocals.
Arrangement Tricks That Keep Listeners Awake
Because your song will be short, every second counts. Use contrast to make the heavy parts feel heavy.
Foreshadowing riff
Introduce a tiny motif in the first bar that returns in the last bar. This makes a short song feel complete and sneaky like a trapdoor.
Breakdown placement
Put a slow stomp near the middle to give the listener time to recover and to reset before the final assault. This makes the final blast hit like a train into a toaster.
Silence as weapon
A half second of total silence before a chorus or a blast makes the next hit feel seismic. Use this like a punctuation mark.
Writing Workflow You Can Steal
This is a one hour writing workflow to build a crustgrind song skeleton. You will need guitar, phone recorder and drummer or a drum program.
- Jam three riff ideas for ten minutes. Record them on your phone. Label them riff A, riff B and riff C.
- Pick the riff that made you headbang in the phone recording. That is your main riff.
- Create a second riff that contrasts. If the main riff is fast and chuggy write a mid tempo stomp for the contrast.
- Arrange: intro main riff for four bars, blast section on main riff for eight bars, stomp for four bars, blast for eight bars, end riff as a tag for two bars.
- Write a vocal phrase for each section. Keep lines short and punchy. Record three takes and pick the best one.
- Make a simple home demo. Use a drum machine or programmed drum samples if you do not have a drummer. Keep it raw.
Editing And Finishing
Once your demo captures the idea, trim the fat. Shorter often equals meaner. Remove any bar that repeats without adding something new. If a section feels redundant, cut it and add a different drum feel or a vocal change instead.
Real life editing tip: If someone at practice says the song feels long, it is long. Trust the person saying that because they are your future gig audience holding a beer and their patience is a limited resource.
Live Performance Tips
- Sound check for stage volume. Crustgrind is loud but muddy stages kill articulation.
- Use in ear monitors if possible for precise tempo. If not, a click for the drummer helps keep the blasts together.
- Teach the crowd one call and response line. It does not have to be clever. It just has to be shoutable while being covered in sweat.
Common Mistakes And How To Fix Them
- Too many ideas. Fix by committing to one core riff. Let other parts be textures rather than new songs.
- Blast fatigue. Use blast bursts not continuous machine gun sections. Let space make it an event.
- Muddy low end. Fix by tightening guitar tuning and scooping mid range. Make the kick punch and the bass sit under the guitar.
- Unclear vocals. Fix by simplifying lyrics and using slight saturation that keeps intelligibility. Vocal freight trains only work if the engine is tuned.
- Over production. Sometimes raw captures are the best. If the song loses life under a million effects, strip it back.
Exercises To Improve Your Crustgrind Writing
Ten minute riff drill
Set a timer. Write one riff every two minutes for ten minutes. Do not overthink. Keep the last riff even if it is ugly. Repeat it and see what grows.
Speed contrast drill
Write a blast section of eight bars and then write a stomp of four bars. Practice moving between them smoothly. The transition is where many bands fall apart.
Vocal economy drill
Write a full set of lyrics where each line is no more than five words. Make a chorus from three words. This trains you to hit hard with minimal text.
Examples And Before After Lines
Before: I am angry about the world.
After: The billboard eats children and spits out coupons.
Before: We fight back and scream.
After: We smear our shoes with ash and teach the gutters to shout.
Before: The city is falling apart.
After: Pigeons harvest glass from the sidewalks and build new graves.
How To Release Crustgrind Music In The Modern World
Release formats matter. Short songs favor streaming playlists where people with short attention spans might give you a hard earned listen. But physical formats like seven inch vinyl and cassettes still have huge cultural value in punk circles.
- Streaming Tag the song correctly. Use genre tags like crust, grindcore and punk so fans find you. Upload clean metadata and cover art that reflects the music.
- Physical A short EP fits perfectly on a seven inch vinyl. Cassettes are cheap and beloved by the scene. A limited run creates demand.
- Merch Keep slogans digestible. A single slogan looks better on a patch or shirt. Use imagery that matches the tone of your lyrics.
Brand Voice Tips For Lyric Writing
Crustgrind can be serious political commentary and also absurdly dark in humor. Decide on the persona. Are you the angry neighbor with a bullhorn or the apocalyptic clown who sells tickets to the apocalypse? That choice informs language, cadence and the kind of images you use.
Frequently Asked Questions
What tempo should I use for blast sections
Start around 220 BPM and adjust. If your drummer is comfortable and the riffs stay clear you can push higher. If things blur lose speed and tighten the riff. The goal is impact rather than metric bragging.
How long should a crustgrind song be
There is no fixed rule. Many effective tracks are under one minute. If your song needs more time use dynamics to justify it. A two minute song with clear shape will feel more complete than a three minute song that repeats.
Do I need expensive gear to sound good
No. Great tone starts with good playing and arrangement. A well recorded cheap amp or an amp sim with the right cabinet impulse response can sound massive. Focus on performance and clarity first then chase tone if you have budget left.
What is a D beat
D beat is a drum pattern that emphasizes a steady gallop with kick and snare hits that create a driving punk feel. It is named after a pioneering band and is common in crust and punk. Use it for stompy sections that invite crowd movement.
How do I make my vocals extreme without hurting my throat
Learn breath support. Warm up. Use short phrases and record multiple takes with rest. If you scream often consider professional coaching to protect your voice. Hydration and rest are your friends.