Songwriting Advice
Writing to Beats vs Writing to Progressions: Workflow Pros and Cons for Songwriters
You are at a crossroads. On one side the beat feels like a pulse that demands movement. On the other side the chord progression offers ...
Riley Karroll, President at HRM Contact Details
As a musician, getting in touch with industry professionals like Riley Karroll, President at HRM, can be a game-changer for your career...
How To Write A Sad Song For Beginners
You want to make people ugly cry and then add your song to their late night playlist. You want a lyric that feels true in the throat. Y...
Orchestral Jazz Songwriting Advice
You want your jazz to sound like a movie in a club. You want lush strings, brass that bites, and rhythms that make people sway while th...
W. Tom Berry, President at Alert Contact Details
W. Tom Berry is a prominent figure in the music industry, serving as the President at Alert Contact Details. As a key decision-maker, h...
How to Write Rock and Classic Rock Songs: Riffs as Motifs
Want riffs that punch like a fist to the chest and stay in listeners heads forever? Good. You belong here. This guide turns riffs from ...
How to Write Garage Rock Lyrics
You want lyrics that sound like a fist through drywall and a laugh in the parking lot afterward. Garage rock is not about being clever ...
Romani Music Songwriting Advice
You want a song that carries fire, grief, joy, and a stubborn, beautiful groove. You also want to do it without being that person who r...
How to Write Funk Melody Lyrics
You want a melody and lyric that makes hips move and mouths sing back before the first beat ends. Funk is not polite music. Funk demand...
Matt Whittington, GM at National Geographic Contact Details
Matt Whittington is the General Manager at National Geographic, a renowned media company that has been a leading voice in science, hist...