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• Timbre first writing, preparing instruments and designing noise
• Graphic scores and performer freedom that still feels intentional
• Recording wild sounds safely and integrating them musically
• Text strategies: cut‑ups, constraints, and semantic drift
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Concept > gimmick: building a system that generates surprises

• Artists pushing limits, noise-makers, art‑pop rebels, theatre composers

• Graphic score stencils
• Session routing blueprints
• Constraint cards
• Consent & safety notes for extreme sounds

• Energy ladders across 5‑minute journeys
• Release strategy for EP arcs
• Vocals that ride over furious drums
• FX for glue and direction, not clutter
• Break programming and swing that breathes
• Bass writing and sub safety at speed

• Producers obsessed with drums, speed, and forward motion

• Arrangement ladders
• Break libraries
• Vocal mix notes
• Club translation tests

Write swing that actually swings. Build heads that land like smiles, rhythm sections that walk forever, and lyrics that wink without rust. Arrange for horns with room to shout and solos with exits that make sense.

• Two feel and four feel maps with set up language
• Chord moves, guide tones, and bright turnarounds
• Vocal phrasing for bounce, scatting tips, and tags
• Horn voicings and shout chorus design
• Mix cues for ribbon friendly highs and warm mids

You get: Lead sheets, rhythm drills, horn stacks, and show flow plans. Outcome: Dance floor ready tunes that feel timeless.