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• Concept > gimmick: building a system that generates surprises
• Timbre first writing, preparing instruments and designing noise
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Graphic scores and performer freedom that still feels intentional
• Recording wild sounds safely and integrating them musically
• Text strategies: cut‑ups, constraints, and semantic drift

• Artists pushing limits, noise-makers, art‑pop rebels, theatre composers

• Session routing blueprints
• Consent & safety notes for extreme sounds
• Graphic score stencils
• Constraint cards

Build slow burning songs that ache with elegance. Use quiet dynamics, long vowels, and room tone to frame the story. Keep harmony simple and heavy with meaning. Let production feel like candlelight so the lyric does the talking.

• Image first writing for loss, distance, and small mercies
• Progressions with suspended relief and gentle turns
• Tempo and pocket choices that slow the breath
• Vocal delivery for fragile diction and glow
• Mix moves for soft highs and honest space

You get: Prompt decks, melody contours, arrangement maps, and reverb recipes. Outcome: Songs that feel like quiet rooms and last lines.