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Riddims that shell. Hooks that run the summer. This book teaches pocket first writing with respectful Patois strategy and DJ friendly structure that selectors love. You will learn

• Kick, rim, hat, and shaker language for bounce
• Bass motifs and slides that converse with the kick
• Skank, bubble, and hook textures that interlock
• Call and response chorus engineering with crowd space
• Deejay flows, breath plans, and ad lib architecture
• Mixing for weight, clarity, and system translation

Who it is for

• Artists, producers, and writers who want authentic feel and replay

What you get

• Riddim templates and MIDI starters
• Vocal capture and stack plans
• Dub wise FX performance pointers
• Deliverable specs for DJs and radio
• Troubleshooting for stiff grooves, harsh highs, and crowded hooks

Serve the riddim. Protect the pocket. Make the rewind happen.

Make honest songs that hit. In How to Write Drone Music Songs you’ll shape chaos into choruses. You will learn

• Concept > gimmick: building a system that generates surprises
• Graphic scores and performer freedom that still feels intentional
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Text strategies: cut‑ups, constraints, and semantic drift
• Timbre first writing, preparing instruments and designing noise
• Recording wild sounds safely and integrating them musically

Who it is for

• Artists pushing limits, noise-makers, art‑pop rebels, theatre composers

What you get

• Graphic score stencils
• Session routing blueprints
• Constraint cards
• Consent & safety notes for extreme sounds