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• Concept > gimmick: building a system that generates surprises
• Timbre first writing, preparing instruments and designing noise
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Graphic scores and performer freedom that still feels intentional
• Recording wild sounds safely and integrating them musically
• Text strategies: cut‑ups, constraints, and semantic drift

• Artists pushing limits, noise-makers, art‑pop rebels, theatre composers

• Session routing blueprints
• Consent & safety notes for extreme sounds
• Graphic score stencils
• Constraint cards

Write swing that actually swings. Build heads that land like smiles, rhythm sections that walk forever, and lyrics that wink without rust. Arrange for horns with room to shout and solos with exits that make sense.

• Two feel and four feel maps with set up language
• Chord moves, guide tones, and bright turnarounds
• Vocal phrasing for bounce, scatting tips, and tags
• Horn voicings and shout chorus design
• Mix cues for ribbon friendly highs and warm mids

You get: Lead sheets, rhythm drills, horn stacks, and show flow plans. Outcome: Dance floor ready tunes that feel timeless.