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Riddims that shell. Hooks that run the summer. This book teaches pocket first writing with respectful Patois strategy and DJ friendly structure that selectors love. You will learn

• Kick, rim, hat, and shaker language for bounce
• Bass motifs and slides that converse with the kick
• Skank, bubble, and hook textures that interlock
• Call and response chorus engineering with crowd space
• Deejay flows, breath plans, and ad lib architecture
• Mixing for weight, clarity, and system translation

Who it is for

• Artists, producers, and writers who want authentic feel and replay

What you get

• Riddim templates and MIDI starters
• Vocal capture and stack plans
• Dub wise FX performance pointers
• Deliverable specs for DJs and radio
• Troubleshooting for stiff grooves, harsh highs, and crowded hooks

Serve the riddim. Protect the pocket. Make the rewind happen.

Make honest songs that hit. In How to Write Barococo Songs you’ll shape chaos into choruses, built on pleasant harmony, steady grooves, that read like a diary and sing like an anthem. You will learn

• Texture swaps, not big drops, arrangement for ambience
• Writing music that supports spaces without stealing focus
• Lyric minimalism or instrumentals that still feel human
• Mix moves for cafes, lobbies, and streams
• Chord colours that soothe without boredom
• Motif rotation for long cues and playlists

Who it is for

• Composers and artists aiming for sync, retail, and hospitality playlists

What you get

• Palette swatches
• Client brief translator
• Cue templates
• Loop/export settings