Accessories

Raw feeling meets craft. How to Write Progressive Bluegrass/Nu-Grass Songs shows you how to turn ideas into lyrics that land live and on record—story details, memorable hooks baked in. The goal: repeatable songs that feel true and travel. You will learn

• Imagery and objects that beat vague angst
• Simple release plans you’ll actually follow
• Turning messy feelings into singable lines
• Structures that carry emotion without padding
• Melody writing that respects your range
• Revisions that keep truth and drop filler
• Artists who want repeatable, pro‑feeling results without losing soul
What you get
• Templates
• Prompt decks
• Troubleshooting guides
• Tone sliders

Build liminal worlds that feel like midnight malls and kind memories. Curate source material with taste, transform it with love, and arrange loops that evolve like slow escalators. Pair gentle drums, glowing pads, and logo motifs that return like a dream.

• Crate digging ethics and transformation paths
• Time stretch and pitch design for soft nostalgia
• Harmony choices with plush sevenths and ninths
• Forms for loops, sides, and live sets
• Mix and master targets for velvet clarity

You get: Palette guides, motif seeds, IR packs, and sequencing maps. Outcome: Vapor tapes that listeners inhabit on repeat.

No fluff, just moves that work. How to Write Jump Blues Songs distills process into hooks and verses with call‑and‑response, swing phrasing at the core. The goal: repeatable songs that feel true and travel. You will learn

• Lyric cool: subtext, irony, and winked punchlines
• Phrasing over swing vs straight feels
• Comping that leaves space for the story
• Solo structure—motifs, development, release
• Blues forms, rhythm changes, and reharm basics
• Ending tags and codas that feel classic
• Vocalists and bands blending tradition with fresh stories
What you get
• Rhyme colour palettes
• Coda/ending cheat sheet
• Motif practice prompts
• Form maps

Raw feeling meets craft. How to Write Noise Songs shows you how to turn ideas into lyrics that land live and on record. You will learn

• Timbre first writing—preparing instruments and designing noise
• Graphic scores and performer freedom that still feels intentional
• Recording wild sounds safely and integrating them musically
• Text strategies: cut‑ups, constraints, and semantic drift
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Concept > gimmick: building a system that generates surprises

Who it is for

• Artists pushing limits—noise-makers, art‑pop rebels, theatre composers

What you get

• Graphic score stencils
• Session routing blueprints
• Constraint cards
• Consent & safety notes for extreme sounds