Accessories

Compose within the Shashmaqam tradition with respect and clarity. Understand maqom structures, melodic paths, and rhythmic cycles. Shape vocal lines that honor ornament and text. Arrange dutar, tanbur, nay, and frame drums with space for breath and devotion.

• Maqom overviews and characteristic motifs
• Usul rhythm guides with hand pattern notation
• Text setting for poetry and classical diction
• Call and response forms for solo and ensemble
• Recording approaches for authentic room tone

You get: Reference charts, practice ladders, pronunciation help, and ensemble seating plans. Outcome: Works that honor lineage and communicate beautifully.

Make honest songs that hit. In How to Write Liquid Funk Songs you’ll shape chaos into choruses—built on fast breaks, tension lines—that read like a diary and sing like an anthem. You will learn

• Energy ladders across 5‑minute journeys
• Release strategy for EP arcs
• Vocals that ride over furious drums
• FX for glue and direction, not clutter
• Break programming and swing that breathes
• Bass writing and sub safety at speed

Who it is for

• Producers obsessed with drums, speed, and forward motion

What you get

• Arrangement ladders
• Break libraries
• Vocal mix notes
• Club translation tests

Raw feeling meets craft. How to Write Western/Cowboy Music Songs shows you how to turn ideas into lyrics that land live and on record—confident mixes, memorable hooks baked in. The goal: repeatable songs that feel true and travel. You will learn

• Revisions that keep truth and drop filler
• Turning messy feelings into singable lines
• Structures that carry emotion without padding
• Melody writing that respects your range
• Simple release plans you’ll actually follow
• Imagery and objects that beat vague angst
• Artists who want repeatable, pro‑feeling results without losing soul
What you get
• Tone sliders
• Troubleshooting guides
• Prompt decks
• Templates

Build rhythm first compositions with evolving forms, advanced harmony, and improvisation that speaks. Learn cyclical grooves, shifting accents, and melodies that grow from conversation. Keep intellect and body allied so the pocket stays human while the music explores.

• Metric modulation tools and layered ostinato design
• Chord tone targeting with outside lines that resolve
• Ensemble roles for drums, bass, guitar, and winds
• Head structures that invite development and call backs
• Live cues for transitions, vamps, and spontaneous form

You get: Drum loop labs, harmony workbooks, solo etudes, and rehearsal systems. Outcome: Concept rich tracks that still groove hard.

Build world class hooks with production that snaps. This playbook covers structure, topline chemistry, and mix polish that survives choreography, variety shows, and streaming. You will learn

• Compact section design for TV and full versions
• Hook math, post chorus riffs, and dance break logic
• Multi part vocal stacks and role assignment in groups
• Chord choices that feel bright without cheese
• Sound palettes across cute, elegant, and dark lanes
• Mixing moves for vocal priority and impact

Who it is for

• Producers and writers aiming at idols, bands, or soloists

What you get

• Arrangement roadmaps
• Lyric strategy for bilingual releases
• Delivery specs for performance tracks and stems
• Troubleshooting for chorus fatigue and overproduced verses

Design for the stage. Deliver for the playlist. Make hooks that trend because they deserve to.

Build radiant Afro Pop with real groove craft. Blend sweet melodies, call and response hooks, and percussion forward production that honors roots and wins charts. Arrange DJ friendly intros and drops while keeping vocals front and joyful.

• Rhythm families and log drum or bass interplay
• Topline writing on open vowels with chant posts
• Guitar and keys patterns that sparkle without clutter
• Lyric focus on joy, romance, and community
• Mix and master targets for global playlists

You get: Drum presets, hook formulas, arrangement maps, and language care notes. Outcome: Sunshine in the pocket with voices flying.