Accessories

• Concept > gimmick: building a system that generates surprises
• Graphic scores and performer freedom that still feels intentional
• Micro‑form: gestures, cells, and contrast without verse/chorus
• Text strategies: cut‑ups, constraints, and semantic drift
• Timbre first writing—preparing instruments and designing noise
• Recording wild sounds safely and integrating them musically

• Artists pushing limits—noise-makers, art‑pop rebels, theatre composers

• Graphic score stencils
• Session routing blueprints
• Constraint cards
• Consent & safety notes for extreme sounds

• Voice, point of view, and the perfect level of snark
• Concrete objects that replace vague angst
• Rhyme maps that sound accidental but lock in time
• Chorus design for shoutability without clichés
• Line breaks, enjambment, and breath for real delivery
• Editing passes that keep truth and drop filler

• Singers, bands, and writers who want 90s grit with modern clarity

• Verse and chorus templates
• Prompt lists for scenes, props, and dialogue
• Tone sliders for sad, mad, and wry
• Troubleshooting for cringe lines and diary dump syndrome

Marry swing to cinema with scores that breathe and grooves that walk. Write melodies that survive on piano, then orchestrate with strings, winds, and brass that clarify time. Give soloists runways and backgrounds that lift without crowding.

• Rhythm section engines for club and hall
• Extended harmony with clear voice leading
• Brass shouts, woodwind colors, and string pads
• Solo frameworks, vamps, and cadenza options
• Notation and rehearsal flow that saves hours

You get: Score templates, part layouts, cue language, and recording plans. Outcome: Orchestral jazz that feels inevitable and generous.

Build slow burning songs that ache with elegance. Use quiet dynamics, long vowels, and room tone to frame the story. Keep harmony simple and heavy with meaning. Let production feel like candlelight so the lyric does the talking.

• Image first writing for loss, distance, and small mercies
• Progressions with suspended relief and gentle turns
• Tempo and pocket choices that slow the breath
• Vocal delivery for fragile diction and glow
• Mix moves for soft highs and honest space

You get: Prompt decks, melody contours, arrangement maps, and reverb recipes. Outcome: Songs that feel like quiet rooms and last lines.