Traps & Scams Every Musician Must Avoid

Hidden Hall Fees On Merch With No Cap - Traps & Scams Every Musician Must Avoid

Hidden Hall Fees On Merch With No Cap - Traps & Scams Every Musician Must Avoid

If you think merch is pure profit you are adorable and also being robbed. Venues, promoters, and third party merch systems love to sell the dream of easy money at shows. Then they quietly eat a chunk with percentages, per item fees, credit card processing bait and switch, and other creative accounting moves. This guide makes those tricks feel illegal and also easy to fight. You will learn the scam patterns, how to calculate the real cut, what contract language actually protects you, scripts to use when you negotiate, and how to audit the numbers after the show. Also you will see real life scenarios that sound like gossip and also like war stories. Do not panic. Learn. Convert anger into clauses.

This is written for touring musicians, bands, managers, and merch folks who want their money and sanity. We explain every acronym and term so court translators and podcasters can sleep at night. We do not assume advanced legal knowledge. We do assume you will own your income by the end of this read.

Why This Matters Right Now

Merch is often the highest margin revenue stream a band has on tour. Ticket money might be split, royalties come later, and streaming pays like a sad tip jar. Merch sales are cash flow. When a venue charges a percentage with no cap or adds secret per item fees your gross revenue becomes a fantasy. You can be at a sold out show and walk away with a stack of excuses. This is not about paranoia. This is about VAT style math done ugly and slow.

Common Fee Tricks You Will See

Below are the most common sly moves venues and merch partners use to pocket your cash. Each entry explains what it means, why it hurts, and a simple math example so the horror is measurable and not just a mood.

  • Uncapped commission on gross merch sales. The venue or promoter takes a percentage of total sales with no maximum limit. Why it hurts: your percentage might be small but on a big night it balloons. Example: 20 percent on 200 shirts at 30 each equals 3600 taken. That is not dinner money. It is rent for two months in sadness city.
  • Per item handling fee. Venue charges a flat fee per item sold. Why it hurts: it compounds on volume and looks small on the invoice. Example: 2 per item on 200 shirts equals 400. Combine that with a percentage and you are handing over a taxation for breathing.
  • Card processing fee passthrough. The venue charges your account the merchant fee they paid for credit card transactions. Why it hurts: they may add extra points for their risk or use a different rate on your sales. Example: 3.5 percent processing on 6000 equals 210. If they mark up the fee to 4.5 percent you lose another 60. Sneaky math is ugly math.
  • Terminal rental or POS fee. They charge for the terminal or point of sale device used at the table. Why it hurts: small fixed fee that erodes margins. Example: 50 per show may seem minor until you average it over ten shows. That is an extra 500 spent for the privilege of swiping your own merch.
  • Cash handling or settlement fee. They charge to count cash, reconcile, or deposit. Why it hurts: pure profit for them. Example: 1 percent of cash sold on a night of 2000 in cash is 20. It adds up over a month.
  • Online order pick up fee. If fans order online and pick up at the show the venue charges a fee for processing that order. Why it hurts: this is often hidden in the contract. If you sell preorders to guarantee sizes you can lose per sale money cleanly.
  • Shrinkage and breakage offset. They reserve a percent of gross for unsold or damaged inventory. Why it hurts: they will use this on your books to reduce payments and often the reserve never gets reconciled or returned.
  • Flat table fee plus percentage. The worst for small sellers. You pay a table rental on top of a percentage. Why it hurts: the fixed cost shifts risk to you. If the show underperforms you lose money no matter what.
  • Royalty or licensing fee for using the room name on merch. The venue wants a 'licensing' payment for putting the venue name on the shirt. Why it hurts: this is a money grab dressed as marketing. You can always options less embarrassing than paying a venue to advertise them on your shirt.
  • No transparent reporting. They provide summary numbers with no line by line receipts. Why it hurts: you cannot verify transactions or contest fees. That is the whole point of the scam.

What Does No Cap Mean And Why You Should Scream

No cap means there is no upper limit on the amount the venue can take. The phrase comes from street talk and also from dreadful contract clauses. In this context it means the venue can charge a percentage on the total sales without any ceiling. That is fine if you are driving feet to the merch table for free. It is not fine when a sold out room creates an exponential tax on your hard work. The smell test fails physically here.

Real life quick math. You sell 200 shirts at 30 each. Gross merch is 6000. Venue takes 20 percent with no cap. That is 1200. If they also charge 2 per item handling fee that is another 400. Now the card fees, terminal fee, and cash handling cut you down further. You might have started with a near 80 percent margin on shirts and end up with 40 percent or less. The venue took the table profit and also the empathy.

Red Flags To Spot In Contracts

Contracts are where they hide the hooks. Look for these red flags and copy them into your nightmare folder.

  • Language that says venue may charge additional fees at its discretion. That is broad power to invent fees later. Do not sign unless discretion is removed or limited.
  • No cap language on percentage fees. Ask for a cap number. If they refuse suggest a sliding scale or a flat fee for the table instead.
  • Fees applied to gross receipts without deduction for taxes or refunds. Taxes are not profit. They should not be part of the fee base. Make sure the fee base is net of sales tax and refunds.
  • Lack of merchant of record clause. If the venue is merchant of record they control processing and can charge weird fees. If you are merchant of record you control funds. Decide which you want.
  • No right to audit or receive detailed reports within a reasonable time. If they will not allow you to verify sales you will never know what happened.
  • Indemnity language that pins losses on you. If the venue can blame you for theft or damage and then withhold money, run. Ask for clear definitions and evidence standards.
  • Automatic renewal of terms or sneaky incorporation of venue policies by reference. They can swap terms later if you agreed to incorporate their policy documents.

Who Should Be Merchant Of Record And Why It Matters

Merchant of record is the entity that technically processes and receives card payments. If you are merchant of record you receive the funds and then pay the venue. If the venue is merchant of record the cash first hits their account and then they remit your share. Each model has implications.

If you are merchant of record

  • You control the processing rates. You can negotiate your card processor.
  • You bear the risk of chargebacks. A chargeback is when a customer disputes a card payment and demands money back. The processor takes the money from your account until resolved.
  • You must be able to handle reporting and potential tax collection. This is extra work but honest work.

If the venue is merchant of record

  • The venue controls processing and may apply their own rates and fees.
  • The venue can delay remittance and use float to their advantage. That means your money may show up late or in parts.
  • You must demand clear reporting and a set remittance timeline to avoid surprises.

Which is better? For small sellers with low fraud risk being merchant of record feels empowering. If you are not comfortable with payment systems negotiate a cap and require the venue to provide a daily transaction report and remittance within a strict time frame. Never accept opaque timelines.

negotiation language you can actually use

You do not need to be a lawyer. You need clear, direct clauses with numbers and timelines. Copy these lines into emails or contracts and watch adult humans either respect you or panic a little. Use plain language and add parentheses for definitions where needed. Always put numbers not vague words.

Sample clause A Request a cap

Venue will take X percent of net merch sales with a maximum fee of Y per event. Net merch sales will mean gross sales less sales tax and refunds. All merchant processing fees and per item handling fees will be paid by the venue unless otherwise agreed in writing.

Sample clause B Merchant of record option

The Artist will act as merchant of record for all merch sales. Venue will not hold or process any merch payments unless explicitly agreed in writing. If Venue processes any merch transactions Venue will provide a complete transaction level report within 48 hours of event end and remit the Artist share no later than seven calendar days after the event.

Sample clause C Right to audit

Artist or Artist representative shall have the right to audit Venue records related to merch sales and fees within 90 days of remittance. Venue shall provide receipts and transaction level detail upon request. Any underpayment found in the audit shall be remitted within 15 days plus interest at X percent per annum until paid.

Sample clause D No discretionary fees

Venue shall not impose any fees on Artist other than those expressly set forth in this agreement. Any additional fees must be agreed in writing by both parties in advance of the event.

Put your initials next to each clause. Contracts respect specificity and also small fonts. You must be the annoying specific human in the room.

Learn How to Write Songs About Music
Music songs that really feel tight, honest, and replayable, using pick the sharpest scene for feeling, prosody, and sharp image clarity.
You will learn

  • Pick the sharpest scene for feeling
  • Prosody that matches pulse
  • Hooks that distill the truth
  • Bridge turns that add perspective
  • Images over abstracts
  • Arrangements that support the story

Who it is for

  • Songwriters chasing honest, powerful emotion writing

What you get

  • Scene picker worksheet
  • Prosody checklist
  • Hook distiller
  • Arrangement cue map

Real Life Scenarios And How To Handle Them

Scenario 1 The classic percentage squeeze

The promoter says they will take 20 percent of merch sales. You sign. After the show the report shows a line item called 'event handling' and a 'POS fee.' They were not in the original chat. You want your money. Do this. First demand the contract language that authorizes those fees. If none exists demand the line by line transaction report and an immediate settlement. Use polite tough language. You can say thank you and also cite the clause that limits fees or requests a cap. If they refuse escalate to the agent or the booker. If still denied collect receipts, take screenshots of the report, and file a dispute in small claims if the amount justifies it.

Scenario 2 The card machine swap

The venue swaps your Square for their in house terminal. The reported swipe fee is higher. They claim better reliability. Ask why. Demand they either use your device or guarantee a processing rate no higher than X percent for your transactions. If they refuse pack your own smartphone station and sell on your own third party store. Offer fans the friendly option to pick up purchases at the merch table. Make the option visible and fast. You want the sale even if the venue hates it.

Scenario 3 Preorders picked up at the show

You ran a preorder to guarantee sizes. The venue charges a per order pick up fee. Fix this before the first ticket goes on sale. Add language that any online order fulfilled and picked up at the event will not be subject to venue fees. If they insist on a fee reduce it to a flat nominal amount and require full transparency on which orders are affected.

Scenario 4 The shrinkage monster

The venue deducts a shrinkage reserve from your sales citing unsold or damaged items. Ask for a detailed inventory reconciliation. Require receipts for any damaged items. Demand that reserves be reconciled within seven calendar days after the event and any remaining funds be returned. If the venue refuses to reconcile put a hold on future dates until audits are allowed.

How To Audit Merch Numbers Like A Bloodhound

Auditing may feel nerdy and also like the only defense you have. Here is a checklist with concrete evidence to collect and steps to take.

  1. Collect your own point of sale records. Use your device or a reliable third party. If the venue insists on using their machine ask for a transaction level report including transaction id, time stamp, item sold, sale price, tax, and payment method.
  2. Take photos of the cash drawer and negotiated float before and after the show. A photo at load in and at load out is a time stamped record no accountant can contest easily.
  3. Keep all invoices and receipts the venue gives you. If they are emailed keep the original emails and save them as PDFs.
  4. Record a quick video at the merch table that shows the number of items on the table and the signage. This is evidence of inventory.
  5. Get at least three witness statements from your crew or friends who helped run the table. Witnesses are cheap and useful.
  6. Request the venue provide the credit card processor statement for the event if they are merchant of record. You do not need the whole bank account just the transaction data tied to your event.
  7. If you discover an underpayment ask in writing for a reconciliation. If they ignore you file a demand letter. If the amount is under small claims thresholds take them to small claims court. Courts do not love creative accounting either.

Alternatives To Venue Controlled Merch Sales

If the standard merch split feels like modern robbery there are legal and creative alternatives. Here are things musicians actually do to keep revenue and also sanity.

  • Bring your own merchant setup. Use a mobile payment processor like Square, Stripe, or PayPal Here so you control the transactions. Sell through your own online store and allow pick up at the show. This reduces dependence on venue systems and removes a lot of mystery.
  • Pre sell bundles. Offer bundles of music and merch online with pick up at the event. Fans like limited runs. Pre sales guarantee demand and reduce inventory risk. Just make sure the pickup policy is fee free.
  • Use a merch partner who pays you upfront. Some companies will buy your stock or handle sales for a flat fee. This reduces upside but also removes the venue as an intermediary. Read the math carefully.
  • Drop shipping and fulfillment. Fans buy shirts and the order ships directly to them. This can reduce immediate event revenue but protects margins and scales if your live sales are small or you hate counting cash.
  • Digital merch. Sell exclusive downloads, VIP livestreams, or custom ringtones. These often have near zero marginal cost and avoid physical handling fees.

How To Price Merch To Protect Yourself

Merch pricing is not just about being edgy. It is about building margin buffers against greedy fees. Here is a simple markup rule and an example you can use tonight.

Rule of thumb. Aim for a markup that leaves you at least double your total expected costs after venue fees and processing. If your cost per shirt is 10 and you expect 20 percent venue cut, 3 percent processing, and 2 per item handling fee, price so your net after those costs and a small royalty is still 25 to 30 percent of retail.

Example. Shirt cost 10. Venue fee 20 percent of gross. Card processing 3.5 percent. Per item fee 2. Price at 35. Math: gross 35. Remove tax say 2. Remove processing roughly 1.23. Remove per item fee 2. Venue 20 percent of gross 7. That leaves you with around 22.77. Subtract cost 10. Profit about 12.77. That is healthier than pricing at 25 and being accidentally poor.

Scripts To Use When Talking To Promoters And Venue Ops

Words matter. Sound calm. Ask for numbers. Do not accept music theatre vibes. These scripts are short and usable in email or face to face.

Learn How to Write Songs About Music
Music songs that really feel tight, honest, and replayable, using pick the sharpest scene for feeling, prosody, and sharp image clarity.
You will learn

  • Pick the sharpest scene for feeling
  • Prosody that matches pulse
  • Hooks that distill the truth
  • Bridge turns that add perspective
  • Images over abstracts
  • Arrangements that support the story

Who it is for

  • Songwriters chasing honest, powerful emotion writing

What you get

  • Scene picker worksheet
  • Prosody checklist
  • Hook distiller
  • Arrangement cue map

Script 1 If they say we take 20 percent

Thank you. Can you confirm if that 20 percent applies to gross or net sales after sales tax and refunds? Also please confirm whether that percentage includes any card processing fees or per item handling charges. If not I will request that all processing fees be covered by the venue or that the fee be capped at X per event.

Script 2 If they want to use their terminal

I prefer to use our own device to minimize confusion and to ensure immediate reporting for our records. If you require use of your terminal then please provide a transaction level report within 48 hours and guarantee no processing rate above X percent. Otherwise we will process all merch with our device and remit any agreed share per contract.

Script 3 If they add a new fee after the show

I received the final report and there are additional fees that were not in the contract. Please provide the contract clause that authorizes these fees or remove them. If this was an oversight please remit the corrected amount within seven days. We want to avoid escalation and believe in fair partnerships.

What To Do If They Still Refuse To Pay

If you get a hard no here are the escalation steps that actually work in order from cheapest to angriest. Keep calm. The courtroom likes humans who do not yell.

  1. Send a formal written demand with the backing numbers and a deadline. Keep it polite and firm.
  2. Copy your agent, manager, or promoter on future communications. Public pressure inside the industry routes faster than threats in the dark.
  3. File a complaint with the local music venue association or the promoter network if they exist. These groups do not like reputational risk.
  4. If the amount justifies it file in small claims court. You will need your evidence. The judge will often want the transaction level report and your photos.
  5. If it is a recurring partner who abuses the split consider public social media posts only after you have given them the chance to fix things and only with evidence. Public posts are nuclear and should be used once you are ready to fight reputationally.

Tax rules differ by state and country but some general rules apply. Merch sales are subject to sales tax in many jurisdictions. Know your obligations. If the venue is collecting and remitting tax on your behalf make sure the gross base excludes tax when calculating commissions. If you are the merchant of record you will be responsible for sales tax collection and remittance. This is not glamorous. It is accurate.

Also know that chargebacks are a real risk. A customer may dispute a transaction and the processor will debit your account until the dispute is resolved. If the venue is merchant of record you must require them to be responsible for chargebacks arising from venue processed transactions. If you are merchant of record you must require clear policies from your crew and keep proof of delivery for all online orders.

Checklist For Merch Deals

  • Is there a cap on percentage fees? If not propose one.
  • Who is merchant of record?
  • Are processing fees included in the percentage or passed through?
  • Is there a per item handling fee? If yes negotiate it down or remove it.
  • Is sales tax excluded from the fee base description?
  • Is there a right to audit and a reasonable remittance timeline?
  • Do you get transaction level reports within 48 hours?
  • Is there a shrinkage reserve and how is it reconciled?
  • Are online pre orders picked up at the show exempt from venue fees?
  • Do you have contact details of the accounting person at the venue for fast reconciliation?

FAQ

What is a transaction level report

A transaction level report lists every sale individually. It usually includes time stamp, item sold, price, sales tax, transaction id, payment method, and whether the sale was cash or card. This level of detail lets you audit and cross reference your own records.

Can a venue legally take my merch if I do not agree

They cannot legally take your stock without a contractual basis. If you left inventory with them without agreement that is risk. Always get written confirmation for storage or consignment. If they withhold your stock gather evidence and consult local laws or small claims options promptly.

Is it better to pre price shirts online and let fans pick up at the show

Yes often. Preorders lock in demand and reduce stock risk. They also give you a paper trail that can be exempt from some venue fees if the contract allows. You must ensure pickup is smooth and signage says pick up only. Clear pickup instructions reduce disputes.

How much should I expect to pay a venue for merch

It varies wildly. Typical splits range from five to twenty percent on gross depending on venue size and promoter. Per item fees of one to three are common. High end places can ask for more. Always negotiate caps and opt for transparency. The difference between five percent with a 200 cap and 20 percent with no cap can be thousands per night.

What if the venue offers me a flat fee for the table instead of a percentage

That can be fair if you can estimate sales. A flat fee removes the venue incentive to under report because they get paid regardless. The risk shifts to you. If you have a loyal fan base you can often take a flat fee and keep all sales. If you are unsure ask for a hybrid where you pay a smaller flat fee plus a small percentage above a sales threshold.

How do I handle chargebacks

Chargebacks are disputes between a cardholder and the card issuer. The processor temporarily debits the sale amount from the merchant until the dispute resolves. Keep proof of the sale, delivery confirmation for online orders, and clear refund policies. If the venue processed the sale they should be liable for chargebacks from venue processed transactions. If you processed the sale you must be ready to respond with evidence.

Learn How to Write Songs About Music
Music songs that really feel tight, honest, and replayable, using pick the sharpest scene for feeling, prosody, and sharp image clarity.
You will learn

  • Pick the sharpest scene for feeling
  • Prosody that matches pulse
  • Hooks that distill the truth
  • Bridge turns that add perspective
  • Images over abstracts
  • Arrangements that support the story

Who it is for

  • Songwriters chasing honest, powerful emotion writing

What you get

  • Scene picker worksheet
  • Prosody checklist
  • Hook distiller
  • Arrangement cue map

Action Plan You Can Use Tonight

  1. Review your next five gig contracts for any of the red flags listed above. Highlight the fee clauses.
  2. Decide who will be merchant of record for each gig and document it in writing. Email it to the promoter and get confirmation.
  3. Set your merch prices using the markup rule above to protect margins against surprise fees.
  4. Create a one page rider to attach to contracts that lists your merch terms including cap demands, reporting timelines, and pickup exceptions.
  5. Bring your own POS device or have a backup QR code lead to your store in case the venue tries to impose their terminal.
  6. Take photos of inventory at load in and load out and save them with timestamps.


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About Toni Mercia

Toni Mercia is a Grammy award-winning songwriter and the founder of Lyric Assistant. With over 15 years of experience in the music industry, Toni has written hit songs for some of the biggest names in music. She has a passion for helping aspiring songwriters unlock their creativity and take their craft to the next level. Through Lyric Assistant, Toni has created a tool that empowers songwriters to make great lyrics and turn their musical dreams into reality.