Traps & Scams Every Musician Must Avoid

Breakage Deductions With No Proof Of Breakage - Traps & Scams Every Musician Must Avoid

Breakage Deductions With No Proof Of Breakage - Traps & Scams Every Musician Must Avoid

Someone just deducted five grand from your royalty check and wrote breakage as the reason. There is no photo. There is no report. You feel like sending a voodoo playlist. Pause. This is a common music industry move that reads like creative accounting but smells like money gone. This guide teaches you how to spot the scam, how to push back, and how to build simple systems so you never get robbed by phantom breakage again.

Everything here speaks plain. We translate industry speak into real world actions. Expect edgy examples, clear templates, and practical steps you can use within one week. We cover record label accounting, distribution statements, merchandise companies, ticketing and venue damage claims, manufacturing claims, and basic legal remedies. We explain acronyms like DSPs, PROs, and RIAA so you know who to call when the numbers lie.

What is a breakage deduction

Breakage deduction is a line item that appears on an accounting statement to explain money taken out for damaged goods or lost units. In music that can mean physical product like CDs, vinyl, and merch. It can also show up as a reserve for returns or chargebacks for retail returns. The legitimate idea is simple. If a box of vinyl ships and arrives smashed at a retailer, someone pays for that loss. The problem starts when breakage is claimed without documentation or when accounting treats breakage as a free pass to shave artist earnings.

Real life scene. You shipped 2000 vinyl records through a pressing plant and distributor. The distributor reports 40 units damaged and deducts the cost from your account. You ask for the proof. They send a generic note that says damaged units occurred and here is the net. No photos, no RMA number, no manifest. That is a red flag. You deserve the receipt that shows what actually happened.

Where breakage claims show up for musicians

  • Label royalty statements when physical goods are sold or returned.
  • Distribution statements both physical and digital. For physical, shrinkage and returns. For digital, weird reserve accounting and adjustments.
  • Manufacturers and pressing plants who claim damages during production or shipping.
  • Merch companies and fulfillment centers that deduct for damaged shirts, misprints, or lost inventory with no proof.
  • Ticketing and venue settlement reports that say you owe repairs for damage without backup invoices.
  • Retail chargebacks where retailers claim credit for returns, scan errors, or price adjustments and pass the cost down the chain.

Why breakage deductions become scams

There are three common ways breakage becomes a scam.

1. Lack of required proof

Accounting should come with backup. That means photographs, carrier damage reports, credit memos from retailers, bills from repair shops, receiving logs, or inspection reports. When you get a deduction without these, the claimant is asking you to trust their word. That is not how money works. Trust the math. Require documents.

2. Overly broad reserve policies

Some contracts allow distributors or labels to hold reserves for returns or breakage. A reserve is a sum set aside to cover expected returns. That is not inherently evil. It becomes unfair when the reserve is too large, never reconciled, or used to recoup unrelated costs. Watch the contract language that allows reserves and demands periodic reconciliation. If the reserve sits forever, you lose money you cannot access.

3. Creative recoupment and cost stacking

Labels often recoup manufacturing, promotion, and advance costs from royalties before you get paid. Breakage deductions can be thrown into that recoupment pile without clear allocation. That is how a small breakage claim can blow up your statement and stall royalties for years.

Important terms explained in plain English

  • Royalty statement This is the report you get showing income and deductions. It should explain units sold, revenue per unit, and any deductions. Think of it like a bank statement for your music.
  • Recoupment When a label or company spends money on your behalf they treat it like a loan that you repay through royalties. You do not get money until that loan is paid back.
  • Reserve for returns A reserve is money set aside in case retailers return goods to the distributor. The reserve is supposed to be reconciled after a fixed time period and adjusted to real returns.
  • Chargeback A retailer claims credit for a return or correction and the distributor reduces payments to the rights holder to cover it. The distributor should have documentation for a chargeback.
  • DSP Short for digital service provider. These are streaming platforms like Spotify, Apple Music, and YouTube. DSPs do not return vinyl but they have their own weird adjustments that can look like breakage on a statement.
  • RMA Return merchandise authorization. A number or document that proves a return was authorized and tracked.

How to spot sketchy breakage claims fast

When you receive a statement that includes breakage deductions ask these immediate questions. If the answers are weak or missing you may have a scam.

  • Is there a specific quantity attached? Generic language like losses occurred is not acceptable.
  • Is there documentation? Photos, carrier claims, receiving reports, RMA numbers, repair invoices, credit memos from the retailer, or an inspection report should exist.
  • Is the timeline plausible? Did the breakage happen after shipping or at a retailer? Check shipping dates and store return windows.
  • Does the deduction match unit cost and revenue per unit? A label cannot deduct a full retail price for each unit without proof.
  • Is the reserve mechanism explained? If money was held back, you must get a reconciliation showing how much was used for breakage and how much is still reserved.

Example red flag scenarios with real life tone

Scenario 1: The ghost vinyl claim

You worked with a small label that pressed 1000 vinyl records. The label sends a statement three months later that shows 80 units were broken and deducts the cost of replacement from your royalties. You ask for photos and a carrier claim. The label replies that they did an internal check and that is all the proof you need. That is not enough. Ask for the pressing plant packing slip, carrier damage report, and pictures. If they refuse, escalate.

Scenario 2: The merch van mystery

Your merch company reports a tour settlement and deducts a large amount for breakage after a show in which the lead singer remembers no damage. They send an invoice from a venue for a broken light. The invoice lists no dates and uses vague language. Demand a detailed invoice, name of the person who signed for it, and photo evidence. Then compare that against your rider and venue signature logs. You do not pay for claims that cannot be proven.

Scenario 3: The forever reserve

Your distributor holds a reserve of 20 percent for returns on physical sales. Years later the reserve has not been reconciled and your balance shows a large amount withheld. The distributor claims it is standard. Ask for a formal reconciliation for each accounting period. The reserve should be reconciled quarterly or annually. If the contract is silent on timing you have room to demand reconciliation on a reasonable schedule.

Read that contract like your rent depends on it

Contracts will contain the language that allows breakage deductions. You have to know where to look. Key clauses are royalty accounting, reserves for returns, recoupment, audit rights, and warehouse and shipping terms. When you sign anything that touches inventory or distribution push for clarity on these points.

Contract points to negotiate hard on

  • Proof requirement for any deduction. Demand photographic evidence, carrier claims, itemized invoices, or other third party documentation.
  • Reserve caps and reconciliation timeline. For example set a maximum reserve percentage and require monthly or quarterly reconciliations and a final reconciliation after 12 months.
  • Limits on recoupable costs. Define which costs the label or distributor can recoup from you and exclude vague categories.
  • Audit rights. Give yourself the ability to audit statements annually at your expense and the right to recover audit costs if overpayments are found.
  • Deadlines for dispute. Create a short window such as 90 days to dispute accounting items before they become final.

Step by step: What to do when you find a suspicious breakage deduction

  1. Do not panic. Statements have errors all the time. The rest of your career will be fine if you act methodically.
  2. Request documentation in writing. Ask for photos, carrier damage reports, RMAs, receiving logs, retailer credit memos, and an itemized calculation of the deduction.
  3. Check timelines and invoices. Match the shipping dates, tour dates, and pressing plant logs to the alleged breakage date.
  4. Ask for unit level detail. You need to see units shipped, units returned or damaged, cost per unit, and net deduction. Vague totals are unacceptable.
  5. Trigger your audit clause. If the documents are missing or unsatisfactory prepare to audit. Use a forensic accountant or a music business accountant who knows how labels cook numbers.
  6. Escalate if ignored. Use the contract dispute clause, issue a formal demand letter, or take the claim to mediation. Small amounts might go to small claims court.
  7. Make the relationship conditional. Do not ship more product or approve additional expenses until the problem is reconciled when appropriate.

Email template to demand proof of breakage

Use this message to get support documents fast. It is direct and professional while refusing to be gaslit.

Hi [Name],

I have reviewed the statement dated [date] and I need documentation supporting the breakage deduction of [amount] for 

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. Please provide the following by [reasonable date, for example 10 business days]. 1. Unit level breakdown showing units shipped, units returned, and units recorded as damaged. 2. Carrier damage report if the damage occurred in transit. 3. Photos showing damaged units and packaging. 4. Manufacturer or pressing plant inspection report if applicable. 5. Retailer credit memos or RMAs with dates and item counts. 6. Itemized calculation showing how the deduction was computed. Until I receive these documents I dispute the deduction and request that no further amounts be withheld related to this claim. If you cannot provide documentation I expect the amount to be recredited. Thanks, [Your name and role]

How to audit like a pro without selling a kidney

Audits are the nuclear option but they work. An audit is a detailed review of the books and records that support statements. Audit clauses vary. Some give you the right to hire an auditor at your cost. Others force you to pay if no overpayment is found. Read the clause. If you lack an audit clause negotiate one before you sign. If you already signed and the contract is silent consult an attorney about your options.

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Who it is for

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Audit process and timeline

  • Notice. You send notice based on the contract. The notice must be clear and usually within a set time.
  • Planning. You and the auditor set a scope such as physical inventory, merchandising invoices, or royalty statements.
  • Review. The auditor examines invoices, shipping records, credit memos, carrier claims, and internal emails.
  • Report. The auditor issues a finding. If you were underpaid the party being audited must pay the shortfall and often audit fees.

How to pick an auditor

  • Find someone who has done music industry audits before.
  • Ask for references and for past work on record label or distributor audits.
  • Confirm their hourly rate and estimated total cost. Audits can be expensive. Make sure you can demonstrate likely recovery before you proceed.

When small claims court makes sense

If the disputed amount is within your small claims court limit this can be a fast and cost effective option. Small claims court is where you show your receipts, your shipping logs, photographs, and the defendant explains their deduction. It is less formal than higher courts. Bring organized documentation and a clear timeline. For amounts over the small claims limit talk to an attorney about arbitration or litigation options.

What merchants, distributors and venues try to get away with

  • Inflated unit damage numbers by reporting units as damaged when they were returned or sold at discount.
  • Using wholesale value but recouping retail value which steals income because the two values differ.
  • Never reconciling reserves which keeps money parked indefinitely.
  • Stacking unrelated charges like charging for promotion or admin under the label of breakage.
  • Claiming damage without third party evidence such as carrier reports or photos.

How DSPs and digital aggregators can look like breakage

Digital platforms do not break vinyl but they can produce statements with mysterious adjustments. Examples include reconciliations for changed metadata, reversed payments due to duplicated receipts, and reserve calculations for chargebacks. The names on line items vary and some distributors will call an adjustment breakage even when it is not. Treat digital adjustments the same as physical breakage. Demand unit level detail, transaction lists, or a slice of the raw pay data from the DSP. If a distributor cannot produce the transactions that led to an adjustment it is not acceptable.

Tips that prevent breakage deductions from happening in the first place

  • Insist on tracking. For physical shipments use traceable carriers and require signed proof of delivery for retailer shipments.
  • Take photos before shipping. Photograph every box and every batch. Timestamp the images. If a claim comes up you already have the evidence.
  • Collect signed delivery receipts. Get a signature at the retailer or distribution center and keep the signed documents safe.
  • Label inventory clearly. Use SKU numbers and include packing lists. Messy inventory invites false claims.
  • Limit consignment exposure. Try to avoid consignment deals where inventory sits on retailer shelves without immediate payment.
  • Use a fulfillment partner you trust. Vet their claims process and insurance policy. Ask how they handle damage, returns, and proofs.
  • Document tour settlements. For merch sold or settled at venues keep a running log of signed receipts from merch tables and venue staff.

How to negotiate better terms if you are signing now

When negotiating a record or distribution deal do not accept vague language around deductions and reserves. The person across the table wants margin. You want transparency. Both can coexist. Push for concrete definitions and timelines.

Negotiation playbook

  • Cap reserves at a reasonable percentage of gross receipts and require reconciliation every quarter.
  • Require photographic proof for any damage claims that exceed a modest threshold such as 0.5 percent of units shipped.
  • Exclude promotional copies and artist copies from any breakage deductions without specific proof.
  • Limit recoupable manufacturing costs to invoices generated from your chosen suppliers where possible.
  • Add a short dispute timeline such as 90 days for you to contest any deduction with supporting documents.

What to do if you are already in a bad contract

If you are stuck in an agreement that allows broad breakage deductions you have options.

  • Demand transparency. Even if the contract is bad you can insist the company provide documentation. They cannot properly defend a claim without it.
  • Negotiate amendments. Offer something of value in exchange for better accounting rights. For example agree to a small marketing commitment in exchange for a limit on reserves.
  • Audit selectively. If the contract allows audits choose the period with the largest discrepancy and audit it.
  • Exit at renewal. Use the issue as a reason to switch distributors or reclaim rights when the term expires.

When to bring in lawyers and when to DIY

Small disputes can often be handled with documentation and a firm email. Legal action is expensive. Consider a lawyer when the amount is large, when the opponent is refusing reasonable proof, or when contractual rights are being abused. An attorney can issue a formal demand letter which often produces results quickly. For very small amounts weigh the cost of legal action against the money at stake.

Checklist to carry in your phone and inbox

Prepare these items and store them in a folder so you can respond fast to a suspect claim.

  • Photos of every batch before shipping with timestamps.
  • Signed delivery receipts and packing lists.
  • Invoices from your pressing plant or merch vendor with SKU details.
  • Carrier tracking and damage reports.
  • Retailer credit memos and RMAs.
  • Copies of your contract clauses that mention reserves and deductions.
  • A copy of the email template to demand proof of breakage.
  • Contact details of a music business accountant and a lawyer that specialize in music disputes.

Stories from other musicians so you do not learn the hard way

Story 1: An indie band used a cheap fulfillment house for a vinyl run. After a tour the fulfillment house reported 120 damaged units and deducted the cost. The band had photos of their stock room showing the units in perfect condition days before shipping. After the band threatened an audit the house produced a photo of damaged boxes that had no SKU or date and which turned out to be a stock image. The band recovered the money and moved to a better partner.

Story 2: A merch manager at a touring act accepted a venue damage claim without a receipt. The claim was for a stage monitor that allegedly hit a wall. The monitor vendor later produced an invoice dated after the show for repairs. The act got the invoice voided when venue staff produced door logs showing the monitor left the day before. Proof matters. Signatures matter. Do not pay for stories without evidence.

Quick math examples so you know when something smells wrong

Example 1. You ship 1000 vinyl at a wholesale cost to the store of five dollars per unit. A claim shows 50 units damaged and you are charged 50 units at full retail price of twenty dollars. That is wrong. At most you should be charged the wholesale or replacement cost. Ask for the math showing the chosen unit value and why retail price was applied.

Example 2. Your distributor holds a 15 percent reserve for returns on a shipment of 2000 CDs with a wholesale value of three dollars per CD. That is a reserve of 900 dollars. After six months the distributor reconciles only 10 returns and keeps the rest. Demand a reconciliation report that lists actual returns and shows how the reserve was applied. If they cannot prove returns equaled that reserve they must release the remainder.

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Music songs that really feel tight, honest, and replayable, using pick the sharpest scene for feeling, prosody, and sharp image clarity.
You will learn

  • Pick the sharpest scene for feeling
  • Prosody that matches pulse
  • Hooks that distill the truth
  • Bridge turns that add perspective
  • Images over abstracts
  • Arrangements that support the story

Who it is for

  • Songwriters chasing honest, powerful emotion writing

What you get

  • Scene picker worksheet
  • Prosody checklist
  • Hook distiller
  • Arrangement cue map

Common excuses and how to answer them

  • Excuse: Our system shows damage so we deducted it. Answer: Show me the damage report, photos, carrier claim, and the signing party who confirmed the damage.
  • Excuse: This is standard practice in the business. Answer: Standard does not mean correct. Provide the documentation that proves it was damaged and that the amount is accurate.
  • Excuse: You signed this contract. Answer: Contracts require performance. Provide the proof required under the contract. If the clause is vague we can talk about reconciliation or amendments.

When the claim is legitimate accept it gracefully and move on

Not every deduction is a scam. If the other party provides clear proof accept it. Fix the logistical issue and make sure it does not repeat. If a carrier damaged your boxes many carriers will pay a claim. If a retailer returned goods with a signed credit memo accept the return. The difference between real claims and scams is documentation and traceability.

What to do next this week

  1. Scan all receipts and photos into a cloud folder labeled Inventory Proof.
  2. Open your most recent royalty and distribution statements and highlight any breakage or reserve lines.
  3. Send a proof demand email for any questionable deduction using the template above.
  4. If you have a contract with vague deduction language mark the clauses and schedule a review with an entertainment attorney or a savvy music manager.
  5. Pick a trusted fulfillment partner and ask their damage claims process before you send your next shipment.

FAQ

What is the most common fake breakage claim

The most common fake is unspecified damaged units with no proof. Companies will list a number and deduct money without sending photos, RMAs, or carrier reports. If you cannot see the damaged inventory or the shipping documentation the claim is suspect.

How long do I have to dispute a breakage deduction

Check your contract. Many agreements have a limit such as 90 days to dispute an accounting item. If your contract is silent reasonable timelines apply but contest the deduction as soon as you discover it. Delays reduce your leverage.

Can a label deduct breakage from my advance

Yes if the contract allows recoupment of manufacturing or distribution costs and the breakage is part of those costs. Make sure you understand what costs are recoupable and demand proof before the deduction occurs.

Is photographic proof enough

Photos are good but not always sufficient alone. Photos should show SKU numbers, timestamps, and ideally packing slips or serial numbers. Combine photos with carrier damage reports or signed return documents for solid proof.

What if my distributor refuses to give proof

Start with a formal request in writing. If they refuse check your audit rights. If you have audit rights schedule an audit. If not talk to a lawyer about a demand letter or escalation to a mediator. For small claims consider filing in small claims court if the amount is within the limit.

Should I stop working with a partner who made a suspicious claim

Investigate first. If they cannot produce reasonable proof or their explanation is inconsistent consider moving your business. Partnerships in music need trust. If trust is broken it is hard to rebuild.

Learn How to Write Songs About Music
Music songs that really feel tight, honest, and replayable, using pick the sharpest scene for feeling, prosody, and sharp image clarity.
You will learn

  • Pick the sharpest scene for feeling
  • Prosody that matches pulse
  • Hooks that distill the truth
  • Bridge turns that add perspective
  • Images over abstracts
  • Arrangements that support the story

Who it is for

  • Songwriters chasing honest, powerful emotion writing

What you get

  • Scene picker worksheet
  • Prosody checklist
  • Hook distiller
  • Arrangement cue map


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About Toni Mercia

Toni Mercia is a Grammy award-winning songwriter and the founder of Lyric Assistant. With over 15 years of experience in the music industry, Toni has written hit songs for some of the biggest names in music. She has a passion for helping aspiring songwriters unlock their creativity and take their craft to the next level. Through Lyric Assistant, Toni has created a tool that empowers songwriters to make great lyrics and turn their musical dreams into reality.